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The colorist is responsible for the critical final stage of refinement of the film and broadcast image. Using all of the controls modern color correction software provides, colorists refine the mood, create style, add polish to scenes, and breathe life into the visuals. The craft of color correction can take considerable trial and error to learn, while the art of color grading takes years to perfect. Alexis Van Hurkman draws on his wealth of industry experience to provide a thoroughly updated edition of what has become the standard guide to color correction. Using a friendly, clear teaching style and a slew of real-world examples and anecdotes, Alexis demonstrates how to achieve professional results for any project, using any number of dedicated grading applications, or even an editing program’s built-in color correction tools.
From the most basic methods for evaluating and correcting an overall image to the most advanced targeted corrections and creative stylizations, Color Correction Handbook, Second Edition, is your one-stop guide. Among many valuable concepts and techniques, you’ll learn to:
• Set up a professional color correction environment using the latest technologies and adhere to the most up-to-date standards
• Work with log-encoded media and LUTs
• Analyze shots quickly and correct errors of color and exposure
• Create idealized adjustments for key features such as skin tone, skies, and product shots
• Develop strategies for balancing clips in a scene to match one another for continuity, and grading greenscreen clips destined for visual effects
• Master a variety of stylistic techniques used to set a scene’s mood
• Apply principles of color and contrast to add depth and visual interest
• Browse valuable research about memory colors, audience preferences, and critical corrections for achieving appealing skin tones and controlled environments
• Follow along with the downloadable files that accompany this book, including HD footage, cross-platform exercises, and project files.
- Sales Rank: #66877 in Books
- Brand: Brand: Peachpit Press
- Published on: 2013-11-29
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.30" w x 8.00" l, 3.10 pounds
- Binding: Paperback
- 672 pages
- Used Book in Good Condition
About the Author
Alexis Van Hurkman is a writer, director, and colorist based in Saint Paul, Minnesota. He has written widely on the topic of color correction, including Adobe SpeedGrade Classroom in a Book, Autodesk Smoke Essentials, Apple Pro Training Series titles The Encyclopedia of Color Correction, Advanced Color Correction and Effects in Final Cut Pro, and Final Cut Pro X Advanced Editing, as well as the first edition of this book. Alexis has also written software documentation, including the DaVinci Resolve Manual and the Apple Color User Manual. As a working colorist, Alexis grades a wide variety of commercial and independent projects for broadcast, narrative and documentary features and shorts, spots, and experimental subjects. You can learn more about Alexis at http://vanhurkman.com/ or follow him on Twitter at @hurkman
Most helpful customer reviews
7 of 7 people found the following review helpful.
A good overall introduction
By Tom D
After years of photography (including the "good old days" in the darkroom processing film and making prints), the fact that cameras come with good quality video options has led me to be more serious about video making. The inclusion of SpeedGrade in Adobe's CC subscription provided me with a tool to actually do some serious grading of that video... but how? I've dug into several resources, such as Adobe's Classroom in a Book for SpeedGrade, and now this book. As someone who is a novice to video grading, but experienced with photo "grading" this book did an excellent job covering all the basics from the point of view of digital video/film grading. It did a nice job of being application-agnostic, focusing on the fundamentals that all of these programs work on. I would strongly recommend it as a starting point for anyone interested in beginning grading or moving from rudimentary work to actually understanding what they are doing. The inclusion of SpeedGrade for Adobe subscribers and the availability of the powerful "Lite" version of DaVinci Resolve from Blackmagic means that the tools to improve your video are easily available, and this book will get you from zero to having a good shot at turning basically good footage into fairly stunning images.
That said, I wish that the content from the author's companion "Look Book" was included with this one. I gladly would have paid more for one complete volume. This book covers the fundamentals, but the companion book covers how to turn base footage into more stylized imagery, such as various "film looks".
0 of 0 people found the following review helpful.
Essential Color Correction Handbook for all film producers and editors!
By Bill8811
Perhaps this handbook covers more than you'll ever need about the how, why, and nuances of color compositing in film (and by extension to photography). The book is loaded with color pictures illustrating each aspect of correcting colors - and importantly why these corrections are made. As an hobbyist in videography (and photography), I use the typical editing tools in Adobe Premiere Elements to make adjustments. After reading Alexis Van Hurkman's handbook, we learn there are so many more improvements (minor and major) that are made buy professional colorists in video and cinema productions.
This handbook shared many ideas to use in my own video edits and more importantly, demonstrated the amazing amount of work and artistry that is used in each and every professional film. When the each scene turns out to be outstanding in form and color, it is not luck; someone has put a great deal of experience and work into making each scene perfect.
5 of 5 people found the following review helpful.
Great book!
By James Elam
Whether new to color correction, or a pro - this book has so many nuggets of essential information that even with a strong working knowledge, it will be a fantastic asset when you need to reference something. It looks at different applications from FCPX to Davinci Resolve as well as a plethora of capture situations from DSLR and film cameras, as well as new cameras such as the Black Magic Cinema cameras.
It has links to work files and is seriously well crafted. Thank you Alexis. I'm a University film and video instructor and indie filmmaker, and I definitely endorse it.
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