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Following James Tyler's earlier introduction to the history, repertory, and playing techniques of the four- and five-course guitar, The Early Guitar (OUP, 1980), this new book, written in collaboration with Paul Sparks and incorportating the latest ideas and research, is an authoritative guide to the history and repertory of the guitar from the Renaissance to the dawn of the Classical era.

• Sales Rank: #3501976 in Books
• Published on: 2002-10-24
• Original language: English
• Number of items: 1
• Dimensions: 7.70" h x 1.00" w x 9.80" l, 2.06 pounds
• Binding: Hardcover
• 348 pages

Review

"Books on the history of the guitar are not in short supply but this one is one of the very best. ... Tyler's contribution is excellent...The Guitar and Its Music will open the eyes of those who think that the instrument is fit only for rock stars, born-again evangelists-and the occasional Prime Minister."--Times Literary Supplement

"Will appeal to a wide range of readers, from historians with little interest in the guitar for its own sake, to performers with little interest in history for its own sake."--Notes

"This informative book, with contributions from two of the most notable scholars in the field of early plucked instruments, fills in a far more complete historical account of the guitar than James Tyler's already impressive 1976 OUP volume, A Handbook of the Early Guitar. Much new research figures in the detailed accounts of the guitar covering the sixteenth, seventeenth, and eighteenth centuries."--The Lute Society of America Quarterly

"Not only does [The Guitar and Its Music] offer a detailed guide to the sources, it integrates recent work from the fields of organology and iconography, archival and patronage studies, performance practice, and the analogous area of lute music, resulting in a coverage that is impressively inclusive in the best sense of the word. ...with its detailed discussions of the sources, clear explanations of performance issues, and the extension of the coverage into the eighteenth century, all formed upon a solid musicological base, this book will surely be a cornerstone of future research and performance of early guitar repertories. ...an important and essential study."--Renaissance Quarterly

About the Author
Tyler is Professor of Music and Director of the Early Music Performance Program at the University of Southern California.

Paul Sparks is a Parish Organizer and Social Entrepreneur. His place-based expertise and trusted friendship in neighborhoods across North America make him an indispensable consultant to faith communities, academic institutions, and community organizations. Paul speaks for strong resilient relationships within the parish, and brave collaborative links across places. Paul is the co-founder of Local Life: Coalition for Livable Communities, the Parish Collective: Rooted and Linked for Parish Renewal, and Urban Landscaping: Rapid Placeshaking Collaborations. He is also an instructor for the Leadership in the New Parish at the Seattle School of Psychology and Theology and is the co-founder of the Inhabit Conference. Paul lives in an urban neighborhood at the heart of Downtown Tacoma, Washington with his co-conspiring wife Elizabeth. They pastor a growing faith community comprised of friends, artists and entrepreneurs seeking a common life together with their neighbors.

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[V695.Ebook] Fee Download Hornblower: Beat to Quarters (Hornblower Saga), by C. S. Forester

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June 1808, somewhere west of Nicaragua-a site suitable for spectacular sea battles. The Admiralty has ordered Captain Horatio Hornblower, now in command of the thirty-six-gun HMS Lydia, to form an alliance against the Spanish colonial government with an insane Spanish landowner; to find a water route across the Central American isthmus; and "to take, sink, burn or destroy" the fifty-gun Spanish ship of the line Natividad or face court-martial. A daunting enough set of orders-even if the happily married captain were not woefully distracted by the passenger he is obliged to take on in Panama: Lady Barbara Wellesley.

• Sales Rank: #32570 in Books
• Color: Blue
• Published on: 1985-09-30
• Original language: English
• Number of items: 1
• Dimensions: 7.75" h x .75" w x 5.00" l,
• Binding: Paperback
• 324 pages

From the Publisher
8 1-hour cassettes

About the Author
Cecil Scott "C.S." Forester was the pen name of Cecil Louis Troughton Smith (27 August 1899 - 2 April 1966), an English novelist who rose to fame with tales of naval warfare. His most notable works were the 12-book Horatio Hornblower series, depicting a Royal Navy officer during the Napoleonic era, and "The African Queen" (1935; filmed in 1951 by John Huston). His novels "A Ship of the Line" and "Flying Colours" were jointly awarded the 1938 James Tait Black Memorial Prize for fiction.

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155 of 160 people found the following review helpful.
Start with this one.
By bruce horner
If you're new to the Hornblower series, start with this one. Then read Ship of the Line, then Flying Colors. The three are practically a triptych, whereas the others all feel like they have space between them. Also, since Forester actually wrote Beat To Quarters first, there's in 'introductory' quality to it that no other book in the series has. The series compares favorably with the Aubrey/Maturin series I think. Odd that they were both cut short by the deaths of their respective authors.
In short, start with this and the next two as a trilogy, then proceed in any order you want.

77 of 81 people found the following review helpful.
I ignored an actual battle to read this...
By bensmomma
...or, to be more precise, I sat within yards of a major Civil War re-enactment so engrossed in this book that I managed to ignore artillery and musket fire. I am a big fan of the Aubrey/Maturin series by Patrick O'Brian, but previously looked down my nose at Hornblower, I think because I knew it solely from TV and movies. This book never slows down for a minute--not just battles but ship repair and revictualling seem gripping in the hands of Forester.
Based on the films, I was not expecting Hornblower to show much internal life--he always seems to be superhuman on screen, but in the book he must struggle with his softer nature to develop his imperious style. Likewise I expected nothing interesting in the way of female characters, but it was a happy surprise to find Lady Barbara Wellesley on board ship.
If you will forgive a few O'Brian/Forrester comparisons: O'Brian is funnier. Forrester's battle scenes are a bit easier for me to follow. Hornblower is a more interesting or at least complex character than Aubrey, but O'Brian has the advantage of Maturin, who not only adds character but allows for dialogue rather than the perennial internal monologues Hornblower has with himself because he has no one of rank to talk to.
I hope that more seasoned readers of the series will agree with this appeal to newer readers: Even if you have read neither author, this book is a good place to start.

37 of 38 people found the following review helpful.
In my opinion the best Hornblower book written.
By A Customer
I first read BEAT TO QUARTERS when I borrowed it from a public library in 1940. It is now 1998 and the third copy of the book is in my book case, the other two copies, being paper-backs, having been read until worn out.
I might add that, in my opinion, any aspiring writer would do well to read Forester, not to copy his style, but to realise that any good author can entertain, but only the great can enthrall; and only the greatest can make you "see" a character (even a minor one) in only two short lines of print.
His death robbed the reading world of one of its most readable authors.

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'Wise old man, won't you help me, please? My house is a squash and squeeze'. What can you do if your house is too small? The wise old man knows: bring in a flappy, scratchy, noisy crowd of farmyard animals. When you push them all out again, you'll be amazed at how big your house feels! This brilliantly funny story is the first ever picture book written and illustrated by the award-winning team of Julia Donaldson and Axel Scheffler, authors of "The Gruffalo".

• Sales Rank: #18106 in Books
• Model: GB9325
• Published on: 2004-06-01
• Original language: English
• Number of items: 1
• Dimensions: 10.63" h x .4" w x 8.50" l, .35 pounds
• Binding: Paperback
• 25 pages

From School Library Journal
Kindergarten-Grade 3-- In this traditional tale, adapted and retold in verse, a little old woman complains to a wise old man that, "My house is a squash and a squeeze," even though she is the sole resident. The thoughtful man tells her to take in, in turn, her hen, goat, pig, and finally her cow. Of course the house seems gigantic when the temporary boarders are put out. Clever caricatures of characters accentuate the humorous situation. Just a curl of a lip or the ideal placement of the dot in the white eyeball make them whimsical, pensive, dismayed, serene, or horrified. Pen-and-ink outlined with bright watercolor washes are set against a white background. It seems that light is shining through the pages. Best of all is the language; the refrain reverberates even after the story is over. Margot Zemach's It Could Always Be Worse (Farrar, 1990) and Eleanor Chroman's It Could Be Worse (Childrens, 1972; o.p.) are familiar versions of the story. Donaldson's has fewer details, but its rollicking verse makes it a charming story hour addition.
- Nancy Seiner, The Carnegie Library of Pittsburgh
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
You may not think you need yet another version of the tale about someone realizing that her house is actually big enough to accommodate a whole slew of animals, after crowding them in--one by one--on the advice of a wise man (he looks as much like a vicar as a rabbi here). But this variant has two things to recommend it: Donaldson's merrily lilting text (``The little old lady cried, `Stop, I implore!/It was cramp-y for three and it's teeny for four./Even the pig in the cupboard agrees/my house is a squash and a squeeze' ''); and Scheffler's vigorously limned cartoon-style illustrations, explicating and elaborating the ludicrous events line by line. Where funds permit, a worthy addition. (Picture book. 3-8) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Review
Praise for A Squash and a Squeeze:

"Pen-and-ink outlined with bright watercolor washes are set against a white background. It seems that light is shining through the pages. Best of all is the language; the refrain reverberates even after the story is over... A charming story hour addition." -- School Library Journal


Praise for Superworm:

"A word lover's delight in rousing, rhyming verse." -- New York Times Book Review

*"The unlikely superhero with his googly eyes and winning smile will be hit, and the rhythmic rhyme will have audiences chanting along by the end of the story.... Silly and slimy -- superfun!" -- Kirkus Reviews, starred review


Praise for Stick Man:

*"Donaldson's rhymes never skip a beat, and Scheffler personalizes the many animals, people and settings in his witty watercolors. This yarn could become a December perennial." -- Publishers Weekly, starred review

*"Scheffler's engaging illustrations, Donaldson's irresistible rhyming text and repeated refrains make this a winning read-aloud that will stick around long after the holiday season." -- Kirkus Reviews, starred review

Most helpful customer reviews

0 of 0 people found the following review helpful.
Is a pleez
By justme
This author has touched my grandies heart. I have sent them almost every book. They reside in Papua New Guinea and they have shared them with ex-pats there...

0 of 0 people found the following review helpful.
Early learning for children.
By Amazon Customer
Amazing book for helping my son too read. Really is funny and interesting to keep my son involved.

0 of 0 people found the following review helpful.
Cute story, best for older children
By SueMoo
Cute illustrations, not my 4 year olds favorite book by Julia Donaldson, but a good story for all.

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Light is chafing under L's extreme surveillance, but even 64 microphones and cameras hidden in his room aren't enough to stop Light. He steps up the game, but before the battle of wits can really begin, a family emergency distracts him. But even though Light isn't using the Death Note right now, someone else is! Who's the new 'Kira' in town?

• Sales Rank: #398605 in Books
• Brand: Viz, LLC
• Published on: 2006-01-03
• Released on: 2006-01-03
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x .70" w x 5.00" l, .45 pounds
• Binding: Paperback
• 200 pages

About the Author
Author: Tsugumi Ohba
Born in Tokyo, Tsugumi Ohba is the author of the hit series Death Note. His current series Bakuman is serialized in Weekly Shonen Jump.



Artist: Takeshi Obata
Takeshi Obata was born in 1969 in Niigata, Japan, and is the artist of the wildly popular SHONEN JUMP title Hikaru no Go, which won the 2003 Tezuka Osamu Cultural Prize: Shinsei New Hope award and the 2000 Shogakukan Manga award. Obata is also the artist of Arabian Majin Bokentan Lamp Lamp, Ayatsuri Sakon, Cyborg Jichan G., and the smash hit manga Death Note. His current series Bakuman is serialized in Weekly Shonen Jump.

Most helpful customer reviews

12 of 14 people found the following review helpful.
Tension Enough to Snap Steel Wire
By Antonio D. Paolucci
Death Note is, easily, the best manga I've ever read, and though my list isn't exactly huge (any of the Shonen Jump manga, FLCL, Samurai Champloo) I'm still pretty confident in saying that in the future, I won't find anything to take Death Note's place as my personal favorite. Drawing on popular mythology and mixing in a bit of Japanese folklore, Death Note has more than enough to appeal to any fan of manga, while also being written so well that any average reader of comic books can pick this up and read it without difficulty.

In volume three, Light's battle with L escalates. Light, or Kira, now has no home life to speak of because of surveillance cameras hidden throughout his bedroom and his house. And if that was not difficult enough, Light finally gets the chance to meet L face to face, and he can't do anything to the mysterious genius, who willingly shares information, including his identity. But the best parts of this volume comes toward the end, when Kira begins a killing spree and shows that now he has the ability of the Shinigami Eyes, a prospect Light had originally turned down earlier in the story do to the penalty of losing half his life span. But why did he accept it now, and is it even Light who is responsible for the seemingly senseless killing taking place in front of a TV station?

In volumes one and two, it was a difficult process of trying to figure out who exactly to cheer for. Do we cheer for Light, who has some noble-reasoning behind his actions, or do we cheer for L, who wants nothing more than to stop a madman before anybody else, even criminals, dies unreasonably at Kira's hands? In this volume, it's easy to cheer for both of them, especially since Light has now joined the Task Force out to capture Kira. The cops are the good guys in this volume, and no where is this more clear than in the last chapters.

Death Note has a way of toying with your emotions as you read. You want for L to succeed, and you want for Kira to continue to allude him. Though this volume gets away from that some, it's still there, and it makes the book difficult to put down because of it. (I'm ashamed to say that I read this book from start to finish the day I got; luckily laundry day made that possible.) I've yet to find another manga that makes me do this, so I will say that if you have a favorite manga out there that you just can't get enough of, consider picking up Death Note, as it's the same way. Also, if you like the art of Hikaru No Go, Death Note was drawn by the same artist, only with a more mature style to it.

7 of 8 people found the following review helpful.
Death Note volume 3
By R. Dauthi
The third volume of Death Note gets five stars, and the fact that its continued excellence is still retained is a testament to how well the writing and story is put together, and how well the suspense that it creates will grab your attention long after you're done reading it.

Picking right up where the last volume left off, volume 3 starts with Light trying to find a way to do the duties of Kira and not look conspicuous, even with 64 microphones and cameras hidden in his room! And if this isn't enough, even L appears before Light as they meet for the first time in this volume. Will this make things easier for Light to act as Kira or just complicate things further? Just when the genius vs. genius battle of wits starts to begin, another Kira appears, adding another layer to the already thickening plot.

The artwork, as usual, is just as solid as ever. The story relies very heavily on the writing moreso than other mangas (you will find panels upon panels brimming with text), so it's a good thing that the writing itself doesn't feel like they butchered it in the translation.

Frankly, this is another great volume, living up to the standards that the series has already created for itself. If you liked Death Note 1 and 2, then there is no reason to deprive yourself of this one.

1 of 1 people found the following review helpful.
A Mesmerizing Cat and Mouse Game with Lives at Stake!
By RommelS
From activeAnime.com

In a desperate gambit to throw L off of his trail, Light has allowed himself and Misa to be interrogated and imprisoned - indefinitely. Nearly two months pass and Light employs his next move from behind bars: lose the Death Note! Without it he loses all of his memories since he first found the book. He now has no memory of being Kira, of his megalomaniac and murderous actions, or the plan he has set in motion.

Containing volumes 5 and 6 of the original manga series, the Black Edition comes in an oversized manga that has striking flat matte black cover and black edged pages. It also includes never before offered colored pages in the first five pages of this edition.

The latest moves in this gripping story are mesmerizing. L takes extreme actions to attempt to flush out Light if he is indeed Kira or Misa the second Kira. The outcome has Misa under surveillance, L completely thrown, and Light now working by L's side 24/7 to find Kira, while attached to L by handcuffs the entire time.

What are most fascinating in these latest volumes are the mental processes, doubts, insecurities and ambitions that emerge from the now amnesiac Light. He does not know he was Kira yet you can see in his thoughts as he tries to help find the murderer that the seeds that created the monster Light has become were there long before he had the Death Note. Meanwhile a new suspect has emerged. The Yotsuba group has shown some curious and grave changes of late. Misa goes undercover to help Light and in so doing learns the truth about herself and the man she's obsessed with.

Now the playing field has indelibly changed in the deadly chess game between Light and L. Light still does not know he is Kira. L suspects it but is thwarted from proving it in part due to Light's own belief and lack of memory as well as Misa, now knowledgeable, making her own moves to protect Light. It's an intriguing game of cat and mouse, particularly when the cat has forgotten his fangs. The latest volume ends in a high speed chase, sniper fire, and the cornering of the current Kira.

IN SUMMARY:
A mesmerizing cat and mouse game with the lives of innocent people the cost should L lose to Light's maniacal plotting.

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Grounded in current theory and research, yet practical and teachable.

 

Widely praised for its groundbreaking integration of composition research and a rhetorical perspective, The Allyn & Bacon Guide to Writing with MyWritingLab has set the standard for first-year composition courses in writing, reading, critical thinking, and inquiry.

 

Teachers and students value its clear and coherent explanations, engaging classroom activities, and flexible sequence of aims-based writing assignments that help writers produce effective, idea-rich essays in academic and civic genres. Numerous examples of student and professional writing accompany this thorough guide to the concepts and skills needed for writing, researching, and editing in college and beyond.

• Sales Rank: #137926 in Books
• Published on: 2014-01-16
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.10" w x 7.30" l, .0 pounds
• Binding: Paperback
• 736 pages

About the Author
JOHN C. BEAN is professor of English at Seattle University, where he directs the writing program and chairs the Task Force on Teaching and Learning. He is coauthor (with John D. Ramage) of Writing Arguments (3rd ed., 1995) and Form and Surprise in Composition (1986).

Most helpful customer reviews

3 of 3 people found the following review helpful.
Best book for skills in language and composition
By Ashiantii Collier
I chose five stars as my rating because this book does not skip over information about any given topic. Everything is orderly, easy to follow and understand, and fun. There are even examples and samples of different types of essays for students to learn from. I learned so much from this one book than I've learned in my whole educational/writing career. Using this book, I earned an A+ in my english course in college. This is the best book for students in english, language, composition, or any courses where styles of writing are required- and lots of it. Its also perfect for writers who want to hone their skills, learn the new formatting, or appeal to various audiences.
Great job, thanks a bunch!

1 of 1 people found the following review helpful.
It helped my writing
By A. Mefford
For many years I have dreaded returning to college, primarily because it meant I would have to take College writing. However, this year I finally made that jump and tackled College Writing first.

I expected nothing of a college writing text beyond taking significant amounts of my time reading dry material. This book however, was anything but that. I now consider it an indispensable tool to anyone struggling with writing, or wanting to improve their writing skills.

I told my Dad about the book and how much I enjoyed it. He is an aspiring writer and working to improve his skills. He let me know he would like to borrow the book when I am done with my course. Well now I am done and not sure how to tell him that I won't be giving up the book.

The exercises in this book are presented in such a way that they are very meaningful and the purpose is clear, such that it never feels like busy work. Not much of what was presented was truly original to me, but was all presented in a way that its purpose was made much more clear. Additionally, some of those things that I have found very challenging in the past were made simple. When writing my papers for the course, instead of struggling to reach the word count, I was working to edit down to the word count. This allowed selecting from the best of my content instead of trying to inject word count.

I received an A in the course for which I give all of the credit to this book. It allowed me to find joy in writing, something that have never had before.

4 of 4 people found the following review helpful.
Very informative
By livingtree
This book is filled with examples of different writing structure and also on proper citation. Citation is something I struggle with so this book was a big help. I learned a lot about exploratory writing and on controversial writing. I did not give this book a 5 star because even though I was able to use the examples as a reference, I didn't use the book much for anything else. I emulated the types of writings for my assignments and then brushed the book aside till the next due date.

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Handbook of basic French recipes for lab use. Each recipe begins with learning objectives that highlight the cooking or preparation technique they are using to complete the recipe, mise en place, methodology, variation, and derivative recipes.

• Sales Rank: #204195 in Books
• Brand: Brand: Delmar Cengage Learning
• Published on: 2010-04-28
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 10.00" w x 1.00" l, 2.65 pounds
• Binding: Spiral-bound
• 224 pages

Features

• Used Book in Good Condition

About the Author
Founded in Paris in 1895, Le Cordon Bleu has trained several generations of chefs worldwide while instilling its unique passion for the art of cuisine. Today, Le Cordon Bleu is the preeminent culinary arts educational experience worldwide; its very name is synonymous with culinary excellence.

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2 of 3 people found the following review helpful.
Great recipes, if you have plenty of time for cooking!
By FoodCrafters
An excellent book, lots of traditional & "classics" recipes, written with much detail & care, but for serious cooks that can spend a few hours in the kitchen.

The only problem (or advantage, depends how you look at it) is that this is aimed for profesionnal cooks that have plenty of time, ingredients, and utensils in their hands. If you want to study & learn the basics of french cuisine and are ready to invest what it takes, then this is an excellent reference. But be warned that many recipes is written over 1-3 pages (very detailed step-by-step description with the politically correct - french - terms for each procedure). So a solid and generously illustrated reference if you want to learn how real restaurants cook do their trade!

If you're an amateur and would like to cook "real & serious food" at home, but don't have hours to carefully carve every piece of vegetable and create many stocks, sauces & such, then pick another book. The recipes in this one look delicious, and the book itself is great (lots of photographies, very interesting and relevant text), but I never cooked anything from this book yet (so can't comment on how these taste) simply because it seems that each recipe will take me 3 hours... and I always end up chosing something in another book that looks doable for a weekly dinner.

Maybe I'll do a coq au vin for my dad's birthday when I have a long weekend ahead? Maybe... Or when I'll retire?

4 of 5 people found the following review helpful.
Systematic and artful approach to French cuisine
By Jaijai Phinyawat
The book,Cuisine Foundations Classic Recipes, is very intuitive with systematic approach to French cuisine. Very convenient with tables and measurement both in US and Metric system. This book is filled with colorful and artistic pictures of each recipe. A great reference book, well worth the money.

1 of 2 people found the following review helpful.
Mounth watering
By Vera White
The pictures alone make me speechless! The book is pretty, the recipes are great. Unfortunately, I did not get hard cover...

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